Preliminary programme per 2018-07-20

Wednesday, 24. October 2018

Time Item
10.00 Visit of Taiwan guests to the Vienna Center for Taiwan Studies. Pick-up at lobby, Hotel Pension Excellence
  Short footwalk to institute
10.30 Welcome by Department of East Asian Studies / Sinology
Information on the Vienna Center for Taiwan Studies
13.00 Lunch at Küche 18 (home-made Chinese noodles)
18.30 SIN1

Ann Heylen: Opening of the Conference 

Hong-chi Shiau, Shih-Hsin University,
Keynote: The Sensational, the Everyday-life and the Spectacular – Witnessing the Intersection of Documentary Filmmaking and Civic Movement in Taiwan

In 2013 Taiwan witnesses unprecedented documentary box-office receipts, thanks to Beyond Beauty Taiwan from Above, my speech attempts to first voice the skepticism regarding whether this type of box-office success can bring about sustainable societal changes. With the emergence of new technologies – particularly the popular uses of drone, smartphone gadgets and social media, critical voices have been aggregated. However, another concern shared by critics associates the new school of documentary filmmaking with sensational reality shows, having become increasingly sentimental. My speech will illustrate the technological and socio-political trajectory on how some documentary films in Taiwan likely offer their viewers a haven for individual heroism, reinforcing Taiwanese society’s incessant inward-looking tendencies, self-pity, and self-contentment.

Moderation of the discussion: Ann Heylen

20.00 Agape – informal gathering of conference participants and audience with Austrian snacks and wine


Thursday, 25. October 2018

Time Item

Meeting at door 2.3 of Department of East Asian Studies / Sinology. Short footwalk with Sight-seeing (Narrenturm) to C3 Library.

Guided tour through C3 library
Tram travel

Lunch in Neubau District with Neubau District delegates, invitation by Taipei Office Austria

(Location to be confirmed)

14.00 – 15.00 Introduction of Neubau District

Admiral Cinema, Burggasse 119, 1070 Wien,

Taiwan Environmental Documentary, public screening and discussion.

Welcome remarks: Ann Heylen
Let it Be, chin 無米樂 Taiwanese Bô-bí-lo̍k (literally 'happiness without rice' in Taiwanese 2004, Directors: Yen Lan-chuan (顏蘭權) & Juang Yi-tseng (莊益增)

15.10 – 16.50 Beyond Beauty. Taiwan From Above,  看見臺灣 2013
Director: Chi Po-Lin (1964-2017)
17.00 – 18.50 Let it be 無米樂 Taiwanese Bô-bí-lo̍k (literally 'happiness without rice' in Taiwanese) 2004,  Directors: Yen Lan-chuan (顏蘭權) & Juang Yi-tseng (莊益增)
18.50 – 20.30 Buffet Snacks and informal discussion with directors


Friday, 26. October 2018

Time Item
9.00 Registration
10.00 – 10.50 Hu Taili Presentation and discussion:
Ethnographic Film - Returning Souls
Discussants: Adina Zemanek, Judith Schöne
10.50 – 11.00 Short break
11.00 – 12.30 Film screening Returning Souls
12.30 – 15.00 Lunch break

Futuru Tsai Presentation and discussion:

Dancing with Ocean: Making a Sensory Ethnographic on Freediving Spearfishing with The ‘Amis of Taiwan

Film screening Futuru Tsai: Between Breathing (tentative)
Discussants: Gwennael Gaffric, Rosa Enn


Saturday, 27. October 2018

Time Item
10.00 – 10.50

Chris Berry Presentation

Taiwan’s Indigenous Peoples and Feature Film Cinema:
From Colonial Mascot to Eco-Citizen

This presentation approaches that relationship between Taiwan’s indigenous peoples and dramatic feature films and in two ways. First, it examines the representation of the indigenous peoples in feature films, and it finds that their depiction has nearly always been connected to Taiwanese identity and Taiwan’s ecology. In the Japanese colonial period, the indigenous people were frequently deployed to symbolize the supposedly savage frontier identity of the island and its promise for colonial taming of nature from the Japanese perspective. This continued in the Martial Law era (1947-1987), but civilizing the indigenous peoples now also required assimilation in the form of sinicization. Since the end of Martial Law, a new pattern has gradually emerged, where the indigenous people symbolize both the new, multi-cultural, democratic and eco-conscious Taiwanese identity and its difference from Han-centric, undemocratic, and polluted China. Second, who is representing indigenous peoples in cinema and for whom? Therefore, the final section of the presentation examines the role of Taiwan’s indigenous peoples in the production and reception of films about them. Is what Barry Barclay has famously called “Fourth Cinema” emerging in Taiwan: cinema about, by and for indigenous peoples?

10.50 – 11.00 Short break
11.00 – 11.30 Discussants: Stefano Centini, Rosa Enn
11.30 – 12.20

Film Screening

Chung Chiao Return to Hometown: A Story of Taixi Village (返鄉的進擊──台西村的故事)

Q&A by Wang Chun-Yen

12.30 – 14.00 Lunch break

Wang Chun-yen Presentation

Can the Village Speak? Documentary Theatre in Taiwan

This paper looks into the so-called Documentary theatre with a particular focus on those with environment issues in Assignment Theatre (chaishi juchang). Chung Chiao, the founding leader of the Assignment Theatre, was inspired by a Taiwanese leftist writer Chen Ying-zhen and began his collaboration with People’s theatre groups in many Asian countries since the 1990s, a post-Cold war period. Chung investigates histories, social issues and current circumstances by testimonial performance and documentary drama, aiming to develop the aesthetic and critical reflections on the social and cultural issues. 

In 2016, Chung directed and produced a work of Documentary theatre entitled “Return to Hometown: A Story of Taixi Village” (返鄉的進擊──台西村的故事) by focusing on village people suffering severe air pollution, marginalization, and the complexity of experience since 1998 when the Formosa Plastics Corp's (FPC) sixth naphtha cracker complex was launched. The paper starts with a critical question raised by Spivak “Can the Subaltern Speak” in hoping to re-locating the question in Return to Hometown. It continues to work on how Assignment theatre positions itself in the historical context of the leftist in the post-war Taiwan by paying attentions to the people. With a re-examination of the above, the paper discusses the way in which environmental discourses, the village people, documentary theatre, and the national Taiwan subject, etc. are interweaved.

15.30 – 16.00 Discussants: Chris Berry, Stefano Centini
16.00 – 16.20 Short break 

16.30 – 18:00

Round Table with speakers
Moderation: Hong-chi Shiau

Beyond Chi Po-ling – Environmental movement and documentary filmmaking in Taiwan since the dawn of 21st century

In addition to Beyond Beauty – Taiwan from Above, conservationist advocacy has grown since the dawn of new millennium, even if it activists still blame the government rather than the corporate investors. In 2011 pro-dolphin, anti-pollution advocates prompted President Ma Ying-jeou personally to condemn plans for a $30 billion offshore petrochemical refinery proposed by state-run CPC Corp. Taiwan, the project’s major investor. Activists, along with environmental documentary filmmaker fought against some corporate/investors (e.g. Advanced Semiconductor Engineering (ASE); Kou-Kuang gasoline refinery distill factory). These documentaries have investigated the leaky cocktail of chemicals, which was rare ten or twenty years ago when Taiwan has not reached the point of modernization timeline where the island consciously wants quality of life instead of the industrial sprawl and overdevelopment.

18:30 Dinner for invited guests 


Sunday, 28. October 2018

Time Item
10.00 Austrian environmental documentary with Austrian director (N.N.)
  Concluding Remarks (Astrid Lipinsky)
  Publication Plans